Hi,
As spring unfolds, I’ve been reflecting on the shifts happening behind the scenes in my studio. Today I thought I’d share a glimpse into that and how I’m learning (again) to trust the pace and rhythm of my own process.
Finding My Way Back to Flow
I can’t speak for all artists, but for me it’s sometimes hard to get into the flow of starting a new painting collection. It feels a bit like adjusting to a new world. Like I’m stepping out of one creative realm and entering another.
Of course, it’s still me. It’s still my art. But it can be difficult to switch gears between various types of projects.
I work on my own Studio Collections, collaborations with shops and galleries, licensing projects, and client commissions. And while all of these involve me creating art, the end results often have different parameters such as specific color palettes, size limitations, or other creative boundaries. These constraints can spark fresh energy, but over time they can also seep into my subconscious and linger long after they’re needed.
Soon after launching Seeking Solace at the end of February, I moved on to my next project — a collection of large-scale paintings that I’ll be shipping to Sorelle Gallery this year. (P.S. I officially signed with this gallery in early 2025!) I’m not sure if it was because I didn’t take enough time off between collections or it was because of some health issues that I was dealing with (probably both…P.S. I’m fine), but I noticed that my energy was off in the studio, pretty much right when I started.
After a bit of time, I realized that one of my main issues with getting into the series is that I was “carrying over” too many voices from past collections, partners, and outside input. I kept telling myself the work needed to be a certain way, placing restrictions on the blank canvas before I’d even picked up a brush.
Unsurprisingly, the studio began to feel heavy. Some days I even dreaded going in. The creative spark dulled under the weight of expectations — most of which were ones I had placed on myself.
Eventually I began to dismantle those mental obstacles. I gave myself permission to return to feeling rather than forcing. Slowly, the energy shifted and the work began to breathe again.
We live in a production culture of “hurry, hurry, rush, rush” but that rhythm doesn’t suit me.
I sometimes still hear that old whisper telling me to “hurry up,” but I’m learning to let it go. Speed and external pressure have never been motivating forces for me. In fact, they tend to shut me down.
I need space. I need time. I know that about myself.
And if I ever need reminding, I look back at the painter I admire most and recall how he allowed his paintings to evolve.
When I’m in flow the work sometimes comes quickly and when it does I welcome it. But I’m also teaching myself that my natural creative pace is valuable and valid.
Custom Prints
Over the years, I’ve had collectors and designers ask about prints in sizes that aren’t available through my licensing partners. This led me to offer a By Request option for custom-sized fine art prints.
Browse my artwork and if a piece catches your eye, just reach out. I’ll work with you to create the perfect custom print for your space.
My Art Licensing page is a great place to explore to find ideas for prints! Please note that the Art Licensing option is reserved for design professionals, but you can still request prints that are listed there.
Send me the name of the artwork, the size that you’d like, and the shipping ZIP code for a quote. Let me know if you have any questions about this service.
Inspiring Me Now
Taking control of my input. Rather than spending a lot of time on endless, often anxiety-inducing scrolling, I’ve been using that energy on things like doing a deep dive on my favorite painter’s work. I’ve been reading articles and books, listening to podcasts, and studying Richard Diebenkorn's paintings in a way that almost makes me feel like I’m taking an art class from him.
Creative activities just for fun. Like this short story creative writing exercise that I was part of on
’s wonderful newsletter.
Celebrating 16 years of marriage with coastal time. Side note: I can’t believe it’s been a whole year since we were in Paris!
Speaking of Paris I’m enjoying Étoile, a new show from Amy Sherman-Palladino and Daniel Palladino (of Gilmore Girls fame) set between New York City and Paris in the world of ballet. The atmosphere, the dancing, the cityscapes — it’s pure inspiration.
For anyone who’s craving a fresh start or quieter space to reconnect with yourself check out AlignVent created by my dear friend Jennifer Cooper.
I’ve been quieter on social media lately, leaning into deeper studio time instead of fragmented sharing. This newsletter allows me to connect with you in a more intentional way and I’m grateful to have you here. Feel free to chat with me in the comments section or reply to this email anytime.
xo,
Melanie
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